The Worst Kind of Dubbing Possible on Netflix — 5 Comments

  1. This used to happen in Japan years ago as they put English down one broadcast stereo channel and Japanese down the other – it was a quick and easy way to do bilingual audio. You then listened in mono to whichever you liked – it was pretty handy but if you left the TV in stereo mode you heard both. Really shouldn’t be an issue with digital TV and mutliple soundtracks.

  2. My guess is that the original source contains both the dialogue AND non-dialogue sounds together on the same track, so they can’t be cleanly split.

    They are likely running some kind of dialogue suppression filter to suppress the original dialogue, then adding the Japanese over the top. It’s not a perfect process though, so you can still hear the original dialogue underneath. The more aggressive the filter, the more it would affect the non-dialogue sounds in the show, so they would have to do their best to balance it.

    That’s my guess anyway!

    • That actually makes sense.

      But I wonder why they would do it that way when all the other shows and movies work fine. Maybe they never planned to dub these, and it was more of an afterthought, so their only option was to use the dialogue suppressing technique?

      The mystery grows…

    • As an ameteur audio/music producer, this is the first thing I thought of. This would employ something called mid/side processing where all of the sounds in the “middle” of the stereo field get decreased in volume to try to make the dialogue quieter (since in most tv/cinema the dialogue only exists in the center of the stereo field).

      It is also possible that, as Adam said, dubbing was just an after-thought or Netflix maybe had to resort to this technique for dubbing since the producers of certain shows couldn’t/wouldn’t give Netflix the raw video, dialogue, and backtracks for their shows for some reason. Although at this point we can only speculate.

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